This excellent four-tracker from Glasgow, on Peckham’s always-interesting Rhythm Section label, dropped out of nowhere in April. Opening track Dirty High is the instant winner, channelling early Floating Points-style swung house drums with analogue arpeggios, live bass and light-fingered Rhodes keys, but the one I’ve returned to most is the closing cut, Lucidity, which pushes… Continue reading 18 for 2018, #12: String Theory – Modularity
Nothin' But Magic 